Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting
Identifieur interne : 000001 ( Main/Exploration ); précédent : 000000; suivant : 000002Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting
Auteurs : Kongmeng Liew [Singapour, Japon] ; Permagnus Lindborg [Singapour] ; Ruth Rodrigues [Singapour] ; Suzy J. Styles [Singapour]Source :
- Frontiers in Psychology [ 1664-1078 ] ; 2018.
Abstract
Noise has become integral to electroacoustic music aesthetics. In this paper, we define noise as sound that is high in auditory roughness, and examine its effect on cross-modal mapping between sound and visual shape in participants. In order to preserve the ecological validity of contemporary music aesthetics, we developed
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DOI: 10.3389/fpsyg.2018.00178
PubMed: 29515494
PubMed Central: 5826189
Affiliations:
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Styles</name><affiliation wicri:level="1"><nlm:aff id="aff5"><institution>Division of Psychology, School of Social Sciences, Nanyang Technological University</institution>,<addr-line>Singapore</addr-line>,<country>Singapore</country></nlm:aff><country xml:lang="fr">Singapour</country><wicri:regionArea># see nlm:aff country strict</wicri:regionArea></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">PMC</idno><idno type="pmid">29515494</idno><idno type="pmc">5826189</idno><idno type="url">http://www.ncbi.nlm.nih.gov/pmc/articles/PMC5826189</idno><idno type="RBID">PMC:5826189</idno><idno type="doi">10.3389/fpsyg.2018.00178</idno><date when="2018">2018</date><idno type="wicri:Area/Pmc/Corpus">000010</idno><idno type="wicri:explorRef" wicri:stream="Pmc" wicri:step="Corpus" wicri:corpus="PMC">000010</idno><idno type="wicri:Area/Pmc/Curation">000010</idno><idno type="wicri:explorRef" wicri:stream="Pmc" wicri:step="Curation">000010</idno><idno type="wicri:Area/Pmc/Checkpoint">000001</idno><idno type="wicri:explorRef" wicri:stream="Pmc" wicri:step="Checkpoint">000001</idno><idno type="wicri:Area/Main/Merge">000001</idno><idno type="wicri:Area/Main/Curation">000001</idno><idno type="wicri:Area/Main/Exploration">000001</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a" type="main">Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting</title><author><name sortKey="Liew, Kongmeng" sort="Liew, Kongmeng" uniqKey="Liew K" first="Kongmeng" last="Liew">Kongmeng Liew</name><affiliation wicri:level="1"><nlm:aff id="aff1"><institution>School of Art, Design and Media, Nanyang Technological University</institution>,<addr-line>Singapore</addr-line>,<country>Singapore</country></nlm:aff><country xml:lang="fr">Singapour</country><wicri:regionArea># see nlm:aff country strict</wicri:regionArea></affiliation><affiliation wicri:level="1"><nlm:aff id="aff2"><institution>Graduate School of Human and Environmental Studies, Kyoto University</institution>,<addr-line>Kyoto</addr-line>,<country>Japan</country></nlm:aff><country xml:lang="fr">Japon</country><wicri:regionArea># see nlm:aff country strict</wicri:regionArea></affiliation></author><author><name sortKey="Lindborg, Permagnus" sort="Lindborg, Permagnus" uniqKey="Lindborg P" first="Permagnus" last="Lindborg">Permagnus Lindborg</name><affiliation wicri:level="1"><nlm:aff id="aff1"><institution>School of Art, Design and Media, Nanyang Technological University</institution>,<addr-line>Singapore</addr-line>,<country>Singapore</country></nlm:aff><country xml:lang="fr">Singapour</country><wicri:regionArea># see nlm:aff country strict</wicri:regionArea></affiliation><affiliation wicri:level="1"><nlm:aff id="aff3"><institution>Soundislands</institution>,<addr-line>Singapore</addr-line>,<country>Singapore</country></nlm:aff><country xml:lang="fr">Singapour</country><wicri:regionArea># see nlm:aff country strict</wicri:regionArea></affiliation></author><author><name sortKey="Rodrigues, Ruth" sort="Rodrigues, Ruth" uniqKey="Rodrigues R" first="Ruth" last="Rodrigues">Ruth Rodrigues</name><affiliation wicri:level="1"><nlm:aff id="aff4"><institution>Raffles Arts Institute, Raffles Institution</institution>,<addr-line>Singapore</addr-line>,<country>Singapore</country></nlm:aff><country xml:lang="fr">Singapour</country><wicri:regionArea># see nlm:aff country strict</wicri:regionArea></affiliation></author><author><name sortKey="Styles, Suzy J" sort="Styles, Suzy J" uniqKey="Styles S" first="Suzy J." last="Styles">Suzy J. Styles</name><affiliation wicri:level="1"><nlm:aff id="aff5"><institution>Division of Psychology, School of Social Sciences, Nanyang Technological University</institution>,<addr-line>Singapore</addr-line>,<country>Singapore</country></nlm:aff><country xml:lang="fr">Singapour</country><wicri:regionArea># see nlm:aff country strict</wicri:regionArea></affiliation></author></analytic><series><title level="j">Frontiers in Psychology</title><idno type="eISSN">1664-1078</idno><imprint><date when="2018">2018</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en"><p>Noise has become integral to electroacoustic music aesthetics. In this paper, we define noise as sound that is high in auditory roughness, and examine its effect on cross-modal mapping between sound and visual shape in participants. In order to preserve the ecological validity of contemporary music aesthetics, we developed <italic>Rama</italic>, a novel interface, for presenting experimentally controlled blocks of electronically generated sounds that varied systematically in roughness, and actively collected data from audience interaction. These sounds were then embedded as musical drones within the overall sound design of a multimedia performance with live musicians, Audience members listened to these sounds, and collectively voted to create the shape of a visual graphic, presented as part of the audio–visual performance. The results of the concert setting were replicated in a controlled laboratory environment to corroborate the findings. Results show a consistent effect of auditory roughness on shape design, with rougher sounds corresponding to spikier shapes. We discuss the implications, as well as evaluate the audience interface.</p></div></front><back><div1 type="bibliography"><listBibl><biblStruct><analytic><author><name sortKey="Adorno, T W" uniqKey="Adorno T">T. W. Adorno</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Bates, D" uniqKey="Bates D">D. Bates</name></author><author><name sortKey="Maechler, M" uniqKey="Maechler M">M. Maechler</name></author><author><name sortKey="Bolker, B" uniqKey="Bolker B">B. Bolker</name></author><author><name sortKey="Walker, S" uniqKey="Walker S">S. Walker</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Bernardes, G" uniqKey="Bernardes G">G. Bernardes</name></author><author><name sortKey="Davies, M" uniqKey="Davies M">M. Davies</name></author><author><name sortKey="Guedes, C" uniqKey="Guedes C">C. Guedes</name></author><author><name sortKey="Pennycook, B" uniqKey="Pennycook B">B. 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Tang</name></author><author><name sortKey="Hamade, T" uniqKey="Hamade T">T. Hamade</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Walker, P" uniqKey="Walker P">P. Walker</name></author><author><name sortKey="Bremner, J G" uniqKey="Bremner J">J. G. Bremner</name></author><author><name sortKey="Mason, U" uniqKey="Mason U">U. Mason</name></author><author><name sortKey="Spring, J" uniqKey="Spring J">J. Spring</name></author><author><name sortKey="Mattock, K" uniqKey="Mattock K">K. Mattock</name></author><author><name sortKey="Slater, A" uniqKey="Slater A">A. Slater</name></author></analytic></biblStruct><biblStruct><analytic><author><name sortKey="Zwicker, E" uniqKey="Zwicker E">E. Zwicker</name></author></analytic></biblStruct></listBibl></div1></back></TEI><affiliations><list><country><li>Japon</li><li>Singapour</li></country></list><tree><country name="Singapour"><noRegion><name sortKey="Liew, Kongmeng" sort="Liew, Kongmeng" uniqKey="Liew K" first="Kongmeng" last="Liew">Kongmeng Liew</name></noRegion><name sortKey="Lindborg, Permagnus" sort="Lindborg, Permagnus" uniqKey="Lindborg P" first="Permagnus" last="Lindborg">Permagnus Lindborg</name><name sortKey="Lindborg, Permagnus" sort="Lindborg, Permagnus" uniqKey="Lindborg P" first="Permagnus" last="Lindborg">Permagnus Lindborg</name><name sortKey="Rodrigues, Ruth" sort="Rodrigues, Ruth" uniqKey="Rodrigues R" first="Ruth" last="Rodrigues">Ruth Rodrigues</name><name sortKey="Styles, Suzy J" sort="Styles, Suzy J" uniqKey="Styles S" first="Suzy J." last="Styles">Suzy J. Styles</name></country><country name="Japon"><noRegion><name sortKey="Liew, Kongmeng" sort="Liew, Kongmeng" uniqKey="Liew K" first="Kongmeng" last="Liew">Kongmeng Liew</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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